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ARTIFICIAL INTELLIGENCE MEETS HUMAN CREATIVITY
They are visual offers generated from the virtual district, images that have arisen from a
partnership between the artist and artificial intelligence.
Intensive work with the computer creates new artworks
Everything moves in the partly monochrome and always abstract area, which denies all echoes of our visual experience, but looks for traces that lead to statements, if one sees in Heine's work, few colors (red, yellow, as well as their most economical fades), which - depending on the perspective - have broken through a black primer or have been gradually covered by a black leveling. In terms of their formal language, they are crystalline colors that unfold like a prism, whereby each flat shape has found its own unmistakable individual shape.
"DOOM AND GLOOM" 2021
80 x 120 cm
"THE NEW TIME" 2021 80 x 120 cm
"STATION TO STATION" 2021.
100 x 120 cm
"LIVING IN A GHOST TOWN" 2021 120 x 150 cm
UNDER CONSTRUCTION
Fom here now this Page is a construction site
- we are working to integrate a shop function
"UNBELIEVABLE, or become rich with art diving in Venice
2020, , 120 x 120 CM
“
D. Hirst Unbelievable ”is an extremely complex picture that refers to the provocative, billion-dollar British concept artist. His main works, such as the tiger shark inlaid in formaldehyde and the diamond-studded skull cast, are quoted underwater in the Grand Canal in Venice. In addition, Hirst exhibited an entrance video at the Venice Biennale in 2003 with divers recovering 2000-year-old pseudo-golden artefacts and a bronze-colored, headless plastic monumental statue in Palazzo Grassi, which the press described as the “cheekiest owls”. Heine associates this skepticism with a huge cruise ship and an approaching helicopter as current technology symbols that point to the increasing decline of the three thousand year old Dog dynasty due to water and crowds.
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Kleine, streng limitierte Auflagen sichern die Einzigartigkeit IHRES Kunstwerks.
NEW : EDITIONS
"Power" (wahre Macht) zeigt die erloschene frühägyptische Epoche in ihrem unzerstörbaren Mythos von Macht und Symbolik. Über dem Wasser, vielleicht
dem Nil, schwebt die über viertausend Jahre alte Sphinx, die als Urgöttin,
also als weibliches Machtsymbol angesehen, aber auch immer wieder patriarchalisiert wurde. Unter Wasser schwimmt die goldene Toten-Maske des Tut Ench Amun,
der um 1300 v.Chr. lebte und schon als 19-jähriger, relativ unbedeutender junger Pharao verstarb. Das mehrschichtige Bild mit einer weiblich- männlichen Gegenüberstellung und Konkurrenz hat eine ruhige Macht-Ausstrahlung, die auch noch vielen Jahrtausenden erhalten geblieben ist.